![Arthur Dove, Untitled [inv.93], c.1941](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/jcgallery/images/view/bea01ae5a5dac77c1c07f61111fe9f8dj/jcgallery-arthur-dove-untitled-inv.93-c.1941.jpg)
Arthur Dove American, 1880-1946
4 x 5.5 inches
Provenance
Terry Dintenfass, Inc.Exhibitions
JC Gallery, London, Arthur Dove: extraction, not abstraction, 2024The expressive nature of this work is evident and remarkable. Pink catches the eye, then the black circle becomes the focal point. The muted hues are contrasted by a vibrant passage of red, which seems to almost disappear behind the green - like a sun setting below a landscape.
Dove maps out rough shapes in ink, boldly drawing graphic lines that divide the page into a patchwork of overlapping forms. Over these lines, he utilises a dry brush technique and creates fields of colour with semi-transparent watercolours in shades of pink, green, red, yellow ochre, and black. Visible brushstrokes have a feathered texture that creates an organic feeling, where layered colours converse and merge.
This collision of colour has the effect of a chorus, bringing together different elements as a conductor might with an orchestra. Furthermore, music was of great importance to Dove. Like many of his contemporaries (Kandinsky, for example) he believed that music and visual art shared a common language of emotion. He was enamoured with how music enveloped the listener without the need for overly academic interpretation.
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